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Howard Halle: Return To Graceland, Works from the ’80s and ’90s

November 11, 2017 - January 27, 2018

Installation Views Selected Works Press Release

Howard Halle: Return To Graceland, Works from the ’80s and ’90s

November 11, 2017 - January 27, 2018

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Installation View, Return to Graceland, Works from the '80s and '90s, 2017, Elizabeth Dee, New York

Installation View, Return to Graceland, Works from the '80s and '90s, 2017, Elizabeth Dee, New York

Installation View, Return to Graceland, Works from the '80s and '90s, 2017, Elizabeth Dee, New York

Installation View, Return to Graceland, Works from the '80s and '90s, 2017, Elizabeth Dee, New York

Installation View, Return to Graceland, Works from the '80s and '90s, 2017, Elizabeth Dee, New York

Installation View, Return to Graceland, Works from the '80s and '90s, 2017, Elizabeth Dee, New York

Selected Works


Pasha 2, 1989
Two framed photographs, rug, 
velvet pillows with tassels
86 x 144 x 89 inches
218.4 x 365.8 x 226.1 cm
 


Wall On A Treadmill, 1988
Silkscreen and enamel on wood; exercise treadmill
66 x 48 x 21 inches
167.6 x 121.9 x 53.3 cm
 


From the Series "Seven Sentiments:" Self Determination, Collective Work, and Unity, 1989
spray paint on cast aluminum address ornaments
16 x 20 inches each
40.6 x 50.8 cm
 


Dinner Bell (Free Your Mind And Your Ass Will Follow) V.2 , 1991/2017
enamel over inscribed cast aluminum ornament
15 x 12 1/2 inches
38.1 x 31.8 cm
 


Untitled, 1988
silkscreen on brass, potted artificial bamboo plant
silkscreen: 32 x 30 inches, plant: 72 high X 10 inches in diameter
silkscreen: 81.3 x 76.2 cm, plant: 182.9 high x 25.4 cm in diameter
 


Titleist, 1991/2017
Artificial turf on plywood, cast aluminum bell and ornament, aluminum light fixture, golf balls and chain
96 x 20 inches
243.8 x 50.8 cm
 

Press Release

FOR IMMEDIATE RELEASE

HOWARD HALLE: Return to Graceland, Works from the ‘80s and ‘90s

November 11, 2017 - November 20, 2018

Elizabeth Dee Gallery is pleased to present Howard Halle: Return To Graceland, Works from the ’80s and ’90s, the artist’s first solo exhibit in NYC since 1991. The show presents a selection of paintings, photo-objects and assemblages created and conceived between mid-1980s and the early 1990s.

Halle’s work from the period explored two dovetailing issues: The idea of memory as a space colonized by artifacts from popular culture and current events (in Halle’s case, from the Cold War/Vietnam Era), and the question of agency: Who has it, who doesn’t, and how is agency abetted/constrained by larger social forces? The best example of their overlap is America itself, where discarding the past is the prerequisite for fulfilling the promise of liberty.

The work draws on a wide range of source material that, like memory itself, can seem random and inchoate: 1950s political and men’s magazine cartoons, Americana, self-help books and documents from the Symbionese Liberation Army. The pieces also evoke such figures as President Eisenhower, Alfred Hitchcock, Bob Hope and Elvis. Denuded of their original meaning, these references are given a new context through an interaction of images, texts, objects and art-historical quotations. 

Howard Halle (American b. 1952) has a long standing practice and has exhibited in museums internationally.  During the 1980s he was included in the most culturally influential venues of the time: Hallwalls, The Kitchen, Artists Space, and Art in General. Halle’s work is included in the Menil Collection, Houston, and has been featured in a number of their exhibitions curated by founding director, Walter Hopps.

For more information, please contact the gallery at +1.212.924.7545 or Florence Lynch at florence@elizabethdee.com

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